The Case Of Gondar City Administration Tourism Essay

The Case Of Gondar City Administration Tourism EssayWith its past hereditary pattern, ethnical diversity, and urban vitality, Istanbul has signifi undersidet probable upon which nonional thinking and pagan industries could flourish. This idea examines the topical grammatical construction of three pagan industries in Istanbul from a spacial perspective. These orbits be artistic creations and husbandry festivals, the film industry, and the fashion design industry.This hit the books attempts to set and measure hea then(prenominal) industries in Gondar urban center. It stliberal liberal arts with a discussion of the rendering and delineation of the terminal heathen industries, arguing that a mountainous str extendle of goods services can be considered culture industry products that it is important to distinguish the production and exchange of such(prenominal)(prenominal) products in the context of an industrial systems approach.The apprehension is then operat ionalized using the city data on job and the activity of firms.The aim of this report is to esteem and analyze the planning of ethnical industries and its theatrical federal agency to the Gondar city administration scrimping in cost of utilizement. The main focalise of the exact is pagan industries especially playacting art activities in the town. To this result, the place of heathenish industries, stakeholders participation, the brisk rules and regulation forget be examined.While a strain of definitions of the term ethnical industries dedicate been suggested, this write up entrust usage the definition suggested by UNESCO (see www.unesco.org) is based on the notion that pagan industries add value to satisfys and generate values for several(prenominal)s and societies. They atomic number 18 knowledge and dig up intensive, create employment and wealth, nurture creativity-the raw material they atomic number 18 do from-,and foster innovation in production and commercialisation processes. At the identical clipping, ethnical industries are teleph nonpareil exchange in promoting and maintaining ethnical diversity and in ensuring democratic access to culture. This twofold nature-both pagan and scotch-builds up a characteristic profile for pagan industries.The main questions/issues addressed in this idea areWhat is the existing condition of pagan industries in Gondar town ?What are the office of heathen industries on the economic system in terms of employment?What are the needs and threats of ethnical practitioners?What are the challenges of the municipality in the provision and instruction of ethnic industries? What solutions are needed?What options exist for cultural industries provision and care?To slay this, descriptive survey look into rule will be takeings based upon basal and collateral data gathering and references with stakeholders and responsible giving medication officials.Finally, the guide is be lieved to be a red-hot input, since on that point has been no investigate on this orbital cavity especially for this city.AcronymsUNESCOUSUKTVStatement of the choreThere is debate ripe about how to define corruption thus, it is important to define it thoroughly from the outset to determine what use the definitions play in our accord of the phenomenon.In the new global economy, X has become a important issue forIn late years, on that point has been an increasing spare-time activity inThis paper will focus on/examine/ clear an billhook ofThis paper seeks to address the side by side(p) questionsThis essay slenderly examines/discusses/tracesThe purpose of this paper is to review recent research into theThis paper will review the research conducted onIn this paper I argue that..This chapter reviews the literature concerning the advantage of usingThe aim of this paper is to determine/examineThe aim of this select was to evaluate and vali hearDefining or establishing what key spoken communication mean in your breakWhile a variety of definitions of the term X defecate been suggested, this paper w definition first suggested by Smith (1968) who saw it as. end-to-end this paper the term X will refer to/will be used to refer to.In this article the acronym/abbreviation XYZ will be used.. to identify the current challenges and opportunities of cultural industries, and to assess the existing rules, laws and regulation of cultural industries and in like manner to recommend necessary constitution encumbrance measures that could be laborsaving for this areas.CHAPTER ONEIntroductionBackground of the StudyIn recent years, there has been an increasing interest in the place of culture in the economy. In recent years government and regional authorities in the Ethiopia countries throw begun to take seriously the idea of cultural activities being all important(p) components of their economies in need of industrial support and imageing. The role of culture in the procedure and ontogenesis of Ethiopian economies has become an increasingly popular topic for both police detectives and insurance policymakers alike. In particular, there has been a growing awareness in recent years that cultural industries such as film, music and the media are increasingly important and vibrant parts of many countries economies../unpublished/This paper argues that cultural industries field is an area of the global economy where SIDS enjoy nigh comparative advantage in production and where there is a windowpane of opportunity hold inn the rise of the digital economy and the increasing commercialization of the arts. The view is that cultural industries may offer more(prenominal)(prenominal) sustainable growing options since they draw on the creativity and enterprise of topical anesthetic artists and communities. It is as well as argued that the cultural industries play a dual role in that it is an economic sector with growth potential and an arena for identity formation.The paper identifies ways in which SIDS can benefit from the make upd commercialization of the arts and cultural industries. The paper will also outline the main challenges and opportunities for SIDS in the global cultural economy as well as give broute recommendations by drawing on the experience of the Caribbean.The term cultural industries encompasses a wide variety of co modified activities, including the mass media, film, art, design, music and architecture. There effects are important to internal economies in terms of their impacts on trade, employment levels (Casey, Dunlop, and Selwood 1996 European commission 1999 Europian union 2000 Greffe 1997 Pratt 1997b) industrial self-possession and investment patterns of consumption.This domain starts by discussing some of the definitional capers that characterize research on cultural industries. Using a broad definition of cultural industries understood as an industrial or production system (pratt 1997b), I then analyze stastical data on the levels of employment and the activity of firms in Gondar cultural industries b/n 1994 and 1995.This field of force investigates cultural industries as both a opinion and reality in the context of Gondar. I show that although cultural industries are not the most important economic activities in the Gondar economy, they name a significant and fast growing area with some distinctive characteristics.Globalization bring modernization. Modernization has positive and ostracise impact. One of its negative impact have a tendency to destroy local creativity and dominated local peoples to foreign culture and attitude. Local cultural goods if in good order packaged and commercialiseed could play an important role in economic system. numerous aspects of culture, especially in the area of dance, music and arts have influenced industrious industries around the valet. But the ability to package cultural activities into market placeable goods that can p enetrate global markets is a vauntingly challenges for countries. Even local markets have not been fully exploited. A major challenges has been the ability to mobilize the creativity of people and exploit them for growth and development.Ethiopia recognizes the role of culture and tourism in development and has national policies on culture and tourism which aims at promoting cultural activities. What the reforms have failed to do is to effectively link culture with business so as to build a sustainable industry.The objective of this paper is focusing on the trends and issues of cultural industries in Gondr city administration. After introducing some concepts about the knowledge area, the paper reviewed different literatures concerning the issue understudy. The research methodology that the paper adopted is also included. In addition to this data presentation and depth psychology is part of this paper. Finally the researcher winds the paper up by last-place the whole parts of it a nd giving possible recommendation for the gaps which are researched.1.2 Statements of problemEthiopia has her own culture and identity. This culture and identity face a big challenge due to globalization. Local creativity has definitely been minimized by the nature of technological changes and the structural shift in economies, particularly in most productive activities.To be competitive in a globalizing instauration Ethiopia must promote her cultural economy. This is also true to Gondar city administration. This is comfort very weak disrespect the enormous preferences available in the field as well as the city. There is a need to assess the value of the arts and culture in the economy. We have to know what the sector looks like and what products and services are gather upd. Who are the stakeholders in the sector and also what are the elements of the cultural economy in the city are one focus of this studies. Besides what are the challenges to the cultural economy and what is the market structure of the sector also new(prenominal) concern areas.1.3 accusives of the Study1.3.1 General ObjectiveThe general objective of the study is to assess and analyze the provision of cultural industries and its role for employment opportunities in Gondar city administration .1.3.2 Specific Objectives observe cultural industries role for employment opportunities in Gondar city administration . differentiate the existing conditions of cultural industries in the Gondar city administration .Describe the current challenges and opportunities of cultural industries in the Gondar city administration .Assess the rules, laws and regulation of cultural industries in the Gondar city administration .Recommend necessary policy intervention measures that could be helpful for Gondar city administration and other similar areas.1.4 interrogation QuestionsWhat is the existing condition of cultural industries in Gondar town ?What are the impacts of cultural industries on the economy?Wh at are the needs and threats of cultural practitioners?What are the challenges of the municipality in the provision and management of cultural industries? What solutions are needed?What options exist for cultural industries provision and management?1.5. Significance of the StudyThe study will enables the researcher to have introduce overview of the existing situations of cultural industries for comprehensive understanding. The study will have a contribution to the community, private investor, local authorities and planners to give proper attention for the multifunction and benefits of cultural industries. It can also some policy indications that are helpful for municipal government and planner to consider as part of their overall town planning ingredients. It will also look at the knowledge gap that exist because there is no study on cultural industries in Gondar. Furthermore, this study serves as a reference for other researchers who are interested in conducting studies on this is sue.1.6. Scope of the StudyThe study is delimited spatially in the Gondar city administration which is found in the Amhara regional state. The key concerns of the study is examining the status of cultural industries and explaining factors that challenge for the provision of the issue. Besides the impact of cultural industries on the economy of the town is discussed in this paper. Furthermore, based on the indications and results of the study feasible strategies will be recommended to soundness the problem.1.7 Description of the study areaGondar city administration is a city in Amhara national regional state of Ethiopia. And located on the grey shore of Lake Tana and the address of the Blue Nile (Abay) river. The city is sited 567km north-west of Addis Ababa along Addis Ababa- Dejen- Debremarkos-Bure road and 465km Addis Ababa-Dejen-Motta road.Gondar city administration currently structured as a metropolitan city including 9 city kebles, 4 adjacent rural kebeles and 3 satellite to wns(Meshenti, Zeghie and Tis Abay). The city has a latitude and longitude of 110 38 N and 370 15 E and an elevation of 1840m above sea-level (BDIDP, 2006). Its location at this spot favors the city with many and multifaceted opportunities like water re theme (Lake and River), suitable topography, favorable climate to live. Based on figures issued by the central statistical agency in 2007, the city has an estimated total population of 230,344 of whom 107,578 males and 112,766 females (CSA, 2007).CHAPTER cardinal2. Literature look backwardculture is different from society to society. Even though, cultural activities vary from society to society, they have the same economic impact. So that, in this part the paper tries to utilize different literatures, which are very relevant for the study like the existing situations, socio-economic benefits, challenges and opportunities and policies and strategies related to art, culture and cultural industries extensively by reviewing from the wor ks of different authors.2.1 Theoretical and conceptual Frame work2.1.1 The concept of cultural industriesThe term cultural or fictive industries describes the economic activities of artists, arts enterprises and cultural entrepreneurs, for-profit as well as not-for-profit, in the production, scattering and consumption of film, television, literature, music, theatre, dance, visual arts, masquerade, broadcasting, multimedia, animation, fashion and so on.The sector is not just a commercial arena, it is a symbolic and social space where uncanny values, psychic meaning and bodily pleasures are displayed, enacted and represented. From this perspective the cultural/creative industries play a dual role they are an important area for investment in the new knowledge economy and a doer of bolstering spiritual values and cultural identity. This is why UNESCO recommends that countries should maximize potential economic contribution as well as facilitate national, regional and world dispersi on of endogenous cultural creativity. /www.caricomorg/index.php?options=com-docmantask/For the purpose of this study we use the term cultural industries to describe the activities of cultural entrepreneurs and arts enterprises, for-profit as well as not-for-profit in the production, distribution and consumption of film, television, books, music, theatre, dance, visual arts, multimedia, animation, fashion and so on.The concept of cultural industries comprises all enterprises and self-employed persons whose economic activities focus on the production, dissemination and intermediation of artistic and cultural products or services. In other words all subsectors and market segments that are related to culture in a wide sense, e.g. music industry, publishing industry, arts, film industry etc. This embraces individual artistic ideas or real works of art, products of the applied arts, the trade of art works and products of popular culture, even the dissemination of cultural goods and servi ces with the mass media. /www.unesco.de/fileadmin//culture_and_creative_industries.pdf/In terms of industry definition, the cultural goods and services involve creativity in their production, embody some degree of intellectual airscrew and convey symbolic meaning. (David Throsby,2001)Cultural products are goods and services that include the arts (performing arts, visual arts, architecture), heritage conservation (museums, galleries, libraries), the cultural industries (written media, broadcasting, film, recording), and festivals. UNESCO has declared that these products are not like other forms of merchandise.( commonplaceations.gc.ca/collections)The production, distribution, exhibition and preservation of cultural products can be a source of inspiration and creativity for cultural industries, generating considerable income and employment fuelled by the growing demand for cultural goods and services in an expanding marketplace. many businesses today, small, medium and large, cre ate wealth using the forms and materials of traditional cultures. Local cooperatives have been formed in some countries to produce and market handmade crafts, textiles that employ traditional designs, audio recordings of traditional music, pharmaceuticals that use native knowledge of change plants.Trade in cultural products can suffer to the quality of sprightliness in the places they are produced, and can enhance the image and prestige of the local area. Some cultural products can also play an important role in community food security, nutrition and health. Their benefits are relatively more important for poorer households, women and disadvantaged groups. Sadly, the commercialization of cultural products has often not benefited the countries of origin, particularly in the fields of music, film, video production, visual arts, crafts and performing arts and dance. And de scandalize their economic potential, most cultural products are hardly researched and rarely take in national economic statistics. / www.thecommonwealth.org/2.1.2 Creative Industries and DevelopmentGlobally, creative industries are estimated to account for more than 7 per cent of the worlds gross domestic product and are forecast to grow, on average, by 10 per cent a year. While the economic and employment-generating potential of these industries is vast and many maturation and innovation countries have great potential in this area, most are chill out marginal players, despite their rich cultural heritage and an inexhaustible consortium of talent. That position reflects a combination of domestic policy weaknesses and global general biases. Ongoing research has emphasized the potential of these industries in developing countries. Creativity, more than labour and great(p), or even traditional technologies, is deeply embedded in every countrys cultural context. Excellence in artistic expression, abundance of talent, and receptivity to new influences and experimentation are not the priv ilege of rich countries. With effective nurturing, these sources of creativity can open up new opportunities for developing countries to increase their make outs of world trade and to leap-frog into new areas of wealth creation. (unctad.org/en/docs/tdxibpd13_en.pdf)2.1.3 cultural industries in urban regeneration and regional growthThrosby noted that the importance of the arts in the economic life of the city and as a kernel for urban regeneration was first recognized several decades ago. More recently, interest has widened to embrace broader issue of the urban cultural fabric, community values and the prospects for re-thinking urban design along environmentally and culturally sensitive lines.Culture is significantly implicated in the process of urban development. At least quad non-mutually-exclusive roles for culture in the life of cities can be observed. First, a precise cultural facility may comprise on its own a significant cultural symbol or attraction affecting the urban ec onomy. Second, a cultural district may act as a node for development in the local area. Third, the cultural industries, especially the performing arts, may constitute a vital component of a citys economy. Fourth, culture may have a more pervasive role in urban development through the fostering of community identity, creativity, cohesion and vitality, via the cultural characteristics and practices which define the city and its inhabitants. (Throsby 2001, p.124)With in this context the concept of cultural capital is a useful way of depicting the place of culture in the urban setting. Heritage buildings, cultural institutions, facilities such as theatres, concert halls, crafts workshops, artists studios and so on can all be seen as capital assets, and the citizenry who produce cultural goods and services in these facilities-actors, musicians, craftspeople, writers, technicians, designers, administrators and many others- all contribute to the generation of economic and cultural value o ver time. (Throsby 2001, p.126)2.1.4 cultural industries/economy in EthiopiaEthiopia is an ancient country with a rich cultural heritage which includes both tangible and non tangible assets, centuries old handicraft production, an exceptional variety of ceremonies, festivals, celebrations and rituals, as well as eight cultural and natural heritage sites registered on the on UNESCOs World Heritage list.Given its rich cultural heritage and having emerged as the most stable country in the automobile horn of Africa, Ethiopias potential for economic growth through tourism is highly underutilized. The extensive supply of labor is a potential resource for development with unretentive desirement for investment, in particular in regards to handicrafts and other arts that require intensive manual labor. The government has expressed its desire to improve management of the major cultural sites and the promotion of Tourism as a source of income and sustainable development. Centuries old loca l industries are at risk by the lose of cultural status assigned to bearers of cultural traditions within society, as well as traditionally low prices, which translate into low incentives to learn the trade, putting at risk the national cultural heritage. Population pressures in concert with environmental degradation, poverty and global warming endanger Ethiopias natural and cultural heritage. Indigenous knowledge and practices need to be safeguarded from globalization. History of cultural homogenization, unitedly with a pressure for modernization, have undermined the value of cultural diversity. /www.mdgfund.org/In spite of existing legal instruments, such as the recently enacted intellectual property laws can create and enabling environment, Ethiopia does not have a policy framework to guide the development of the cultural industry, and its instruments do not even so incorporate indigenous knowledge and natural heritage management traditions. The lack of comprehensive laws and policies, as well as poor enforcement and implementation of existing policies and regulatory frameworks, in part due to lack of capacity and public awareness, has resulted in a poor institutional framework. Although most products are original and functional, there is no standardization, which would allow them to compete in the external market. Additionally, there are no market linkages between producers and traders, with agents retaining a good share of the profit. Further to income loss this translates into low specialization and the inability to respond to market demand. Poor coordination leads to lack of integration and synergies, while efforts of stakeholders become fragmented and perchance duplicated. /www.mdgfund.org/2.1.5 challenges and opportunities of cultural industriesThe challenges facing the creative industries are different from those posed to the traditional goods sector.Firstly, intellectual property protection and commercialization is a top priority. The creative i ndustries cannot survive in the marketplace without adequate protection from copyright infringement. Without such protection cultural entrepreneurs would be at the mercy of piracy, bootlegging, counterfeiting and other forms of infringement such as unlicensed broadcasting.Secondly, research and development must be placed higher on the agenda. In the cultural industries research and development means investment in human and creative capital. This is a critical area as the cultural industries start with creativity and it accounts for a large share of investment in the sector.Lastly, marketing and branding are crucial because audience loyalty is difficult to build and predict. With the rise of the digital and internet economy there is a tendency to underestimate the level of the challenge of introducing new and alternative genres into the world market for creative goods and services. Ultimately, the issue that arises for developing country regions is whether they will be able to deve lop the expertise along with the distribution infrastructure and marketing savvy to tap into the growth potential of the rising creative sector.One of the main challenges in penetrating the international market is that of introducing new and alternative art forms and genres in global, regional and national markets that are increasingly saturated with content from the main cultural exporters (e.g. the US, UK and India). participate in these markets is not just a matter of building conflict it also calls for changing consumer tastes and lifestyles, which is requires heavy, capital-intensive marketing and alliances with global firms.The countries of the region are also faced with a number of challenges that are associated with small and peripheral economies such as weak management and inadequate information systems, shortage of deft personnel, low levels of training, poor manufacturing and service facilities, uncompetitive packaging and branding, weak marketing and distribution chan nels, high levels of copyright infringement and piracy and weak rights management and royalties collections. There also tends to be an historical, institutional and commercial bias against indigenous content in the home market that marginalizes and limits local entrepreneurship, investment and market development.The key opportunities relate to changes like rising domestic cultural content in developing countries, the growth of Diaspora markets and networks, the increasing interest in authenticity and indigenous culture in the tourism industry, cost reductions in new digital technologies, the growth of global media (e.g. cable TV, satellite radio, net income), and the emergence of Internet marketing and broadcasting. In this context existing strategies for ensuring competitiveness and sustainable development are inadequate. It is against this backdrop that recommendations for developing the potential of the cultural industries through the practise of industrial, trade and innovatio n policies must be made. /www.caricomorg/index.php?options=com-docmantask/Chapter -33. Research Design and methodology3.1. Research designTo make the data valid and up to date and to arrive at reliable findings, the researcher applying the field and desk surveying method and then collects various types of data related to the study under consideration. Review of available literature and documents, collection and analysis of both immemorial and secondary data will be carried out. Interviews and discussions with relevant officials of the government and stakeholders will be also held. Relevant documents, journals, reports, books, newspapers, project reports, etc used as a source of information.3. 1. 1 The types of researchThe study categorizes descriptive types of research and will exculpate out by quantitative research that can produce quantitative numerical data.3.1.2. Source of the dataThe researcher used both primary and secondary source of data to gather accurate and reliable i nformation.3.1.3. entropy collection techniquesTo gather the reliable information, the researcher will use the following data instruments. Those are Questionnaire, Interview, and Field observation.3.1.4. Sampling DesignThe researcher distributes the Questionnaire for the stakeholders who are dwellers of the town and practice on cultural activities. The sample size will decide after actual observation done on cultural activities practitioners.3.1.5. Sampling TechniqueThe researcher use both probability and non-probability take in technique in collecting the information. From non-probability sampling the researcher use nonrandom (judgmental sampling). He uses his judgment to choose or pick only those who silk hat meet the purpose of the study. From the probability sampling the researcher use distinguish random sampling method to make the inclusive and to get data from different subject population3.1.6 Limitation of the studyFinancial and time constraints will be the main challeng es of this research study. Moreover, during the time of data collection, the study may face different problems such as unwillingness of the respondents and informants. Finally, the study will be challenged by lack of organized data which are relevant to the study.4. CONCLUSIONMisunderstanding of the impact of cultural industries on the economy system will be a challenge in sub-Saharan African countries including Ethiopia even though the level and impact of cultural industries in creation of job vary from city to city.Hence, the general objective of the study will be to assess and analyze the impact of cultural industries on Gondar city administration economy, and to come up with possible solution to improve the existing problems. To substantiate the study, cultural industries related literatures are reviewed. To conduct the study both primary and secondary data will be obtained and analyzed. The primary data will be collected through questionnaires and structured interview and the c ollected data will be analyzed using descriptive methods of data analysis and will be presented with the help of tables graphs, figures and charts. Finally, based on the findings, possible recommendations will be drawn to improve the role of cultural industries on the economy of Gondar city administration city.